Waves VComp (Busses, sidechained tracks and Bass).Live Compressor (Instruments and returns).Waves C4 (On unwieldy instruments and on the Master as mild corrective glue).
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Waves C1 (transparent with great sidechain).These are the ones I use more often currently in no particular order and typically then prefer to The Glue in Live: It's all-right for most tasks but other compressors somehow sound better even when more transparent. I use the Live Glue device on returns mostly as it is. Why could it be I don't like Glue as much as expected? I just acquired a different taste with time? Or could this be the reason? Maybe I'm using it in a non beneficial way? Most tracks as well as busses are about -18dBFS RMS, sometimes a little less. Tell me Mr Krafty Kuts has been smoking something weird please. Instead I use about 25 other compressors/Limiters with a handful in each project. I was on the verge of getting Cytomic The Glue in 2013 and as I got it with Live I never investigated this. DJ Krafty Kuts on " Cytomic The Glue" Computer Music, August 2017 on page 16.Īnd I've been telling myself they are the same and apparently I'm not as fond of The Glue device as I thought I'd be. To my ears, it seems to have a bit more flexibility, a bit more control, and a bit more oomph.”
![cytomic the glue same glue compressor cytomic the glue same glue compressor](https://piratecrack.com/wp-content/uploads/2021/09/images-2021-09-13T063229.318.jpg)
Obviously, I work with Ableton, but I tend to use the old, pre-Ableton version. “As much as I love the Ableton stock plugins, I do think there’s something missing from their version of Glue.